Daily Marauder


THE ONLINE VIDEO GORILLA IN THE ROOM: EPIX by Marauder

THE ONLINE VIDEO GORILLA IN THE ROOM: EPIX

Epix, the new premium TV channel from Paramount, MGM, and Lionsgate, launched on TV and online at the end of October. The launch opened up movie catalogues from each of the three studios to be watched on three separate platforms; the content triple threat if you will. In a world of packed viewing options, how did we get to the point where three movie studios have launched a new pay TV channel?

Here’s the skinny. In 2008, Showtime’s contracts with Paramount, MGM, and Lionsgate expired. You see, in the premium pay TV world, channels like HBO and Showtime manage two streams of content: their original programming including both television series and films, and their movie studio content. These channels pay the studios premiums to air their movies on TV for a determined amount of time. When these contracts near expiration, negotiations settle in.

In this case, the negotiations between Showtime and these studios were fairly contentious. The studios wanted a higher fee than Showtime was willing to pay. So passionate were these negotiations, the studios basically declined revenues from Showtime entirely to instead walk away from the deal entirely. Showtime will now lose Paramount films released after Jan 1 2008 and MGM/Lionsgate films released after Jan 1 2009. That includes heavy box office winners like Iron Man ($318M US box office) and Indiana Jones and the Kingdom of the Crystal Skull ($317M bo).

Instead of negotiating with another pay TV channels, like HBO or Starz, the three studios instead pursued the completely unexpected option: form their own pay television network.

I worked at HBO for the past 4 years and hence was a little more eager than most to try out the product. When I initially heard about the new pay service, I was generally mystified. In a world of disaggregation,with content scattered on premium networks like HBO, online through services like Netflix and Hulu, download-to-own/rent on iTunes, and on demand, I hardly saw the need for additional options. That said, as audiences trend online to watch content, I was most interested in taking a look at the online product. Here’s a break down:


Availability

If you are a Verizon FIOS subscriber, you have access to the product. In addition, Epix is offering 50 thirty-day invitation codes to Marauder readers who are the first to Follow @epixHD on twitter AND tweet “@epixhd Experience Epix #DailyMarauder.”  If you miss your chance, you can also get a weekend invitation code if you visit the site during the month of November.


Content

Emil Rensing, Chief Digital Officer of Epix, tells me that as of today, there are 183 movies on the service. By the second quarter of next year, the goal is 3,000 movies. I asked Emil about Epix’s competition, eager to find out whether the channel views traditional pay networks like HBO and Showtime as competition vs. online movie providers like Netflix. “I’m personally a subscriber to both HBO and Netflix. I love the DVD service that Netflix provides but we’ll have more content online than Netflix. HBO doesn’t yet have the licenses to put all of their movie content online.“ Being that Netflix claims 12,000 streaming titles online, I pushed Emil on his answer. Within those 12,000 titles, Emil claims 2,000 are movies, “The preponderance of those titles is either public domain or bottom tier selections. They don’t have a lot of titles that will drive the subscription nut…We don’t buy content. We buy hits.”


User Experience

Hulu-Like Video Player

The online video itself looks and feels very similar to the Hulu experience. It rocks the same full screen, pop out, and light dimming options. Epix, however, features 720P HD quality for all of its movies, if you have a connection speed which can handle it of course. If not, it delivers the video to you in a quality compatible with your connection speed. Hulu also has films in 720P through their HD gallery although I only peeped 3 TV episodes in the library when I drove through this morning.


Finding What you Want

Either browse or search for content using predictive content options based on what you type in the search box. In this case, I was typing “Valenti” . I wasn’t looking for My Bloody Valentine but instead for the Valentino documentary.

Watching Movies Online with Friends

Here’s my favorite feature. Viewers can watch a movie with up to 4 of their friends, even if that friend is not an Epix subscriber. This is an acquisition and retention play of sorts but a very smart one at that. To make the analogy work a little harder for you, imagine if I could call you, the non-HBO subscriber, and invite you to instantly watch that next episode of True Blood with me from each of our respective houses. Yah, pretty neat. Here, fellow Marauder Martha and I, watch The Curious Case of Benjamin Button from each of our houses in NYC and LA.

Movie watchers can type messages to each other while watching allowing an almost couch-like experience. Martha and I tested this feature three times over the course of a week. Our results varied from seamless to all-out failure.


Portability

The content is currently only available in a streamed model meaning that the viewer can only watch when connected to the internet. Starz Play, the online offering from Starz also available from Verizon FIOS, is instead a download model offering the option to watch movies on a computer screen or portable device even when Google decides not to holiday gift free Wi-Fi to the masses.


Distribution

Currently, Epix only has one distributor with Verizon FIOS giving them access to a pool of only 2.5 million subscribers. The two most attractive cable operators in the US according to audience size are Comcast (25M subs) and Time Warner Cable (15M subs). In July, Comcast publically responded that they were not interested in the service and think that it is in fact, “a bad idea.” So that leaves, Time Warner Cable as the most attractive girl in the room. Rumors have been floating around about a DISH distribution deal, which would pick up just over 13M subscribers and give Epix a bit more to talk about. The other pay TV networks are watching, but not really paying attention until Epix finds someone to carry the channel to more people. And even then, it’s really Showtime which has the most to worry about. It seems as though CEO Matt Blank may agree on this one.


Price

$10 per month. The service was initially offered its first weekend as a free preview.


The Low Down

Epix most reminds me of Hulu at least in the reason for its creation. Hearken back to the days in which Hulu was “New Site” and everyone laughed at its imminent failure. Mr. Techcrunch himself, Michael Arrington, liked to call New Site Clown Co. before it was dubbed Hulu.

Hulu was created as a joint venture between two broadcast television networks (Fox and NBC) which wanted more control (and hence revenue potential) over the distribution of their content in an iTunes world. Let’s just remember how NBC felt about Apple during one painful period in which The Office wasn’t available on iTunes.

Similarly, Epix was built by three movie studios, who in a world of Hulu, Netflix, and Showtime, wanted more control over their content. Both decisions were risky for the companies in question. Just ask Jeff Zucker from NBC how those digital pennies, dimes, or whatever currency he’s using these days are doing.

Here’s the main difference between Epix and Hulu: Hulu acts as a central location for all content even if its not featured in its super slick video player. Epix only offers content from these three studios.

Epix isn’t interesting to me as another pay TV network. We have HBO, Cinemax, Showtime, Starz, and a few others you probably don’t even realize you have. In a world of Movies on Demand, pay TV networks, Hulu, Netflix, and those things we used to call DVD’s, do we really need one more TV channel? In short, no. No we don’t. The cable operators realize this. They have enough to sell you when you call to set up service. HBO and Showtime used to be the cash cow for the cable companies. With the advent of online and digital phone services, this is no longer the case. The revenue potential on these two services far outweighs the opportunity upside on a pay TV network. So, why would I, Mrs. Cable Company, choose to carry another pay TV network that I will have to relegate marketing budget to? Hmmm…

Back to the consumer perspective. To really dig in on this, it’s important to quickly reference the content windows.


Traditional Windows

Time

Platform

Start

Theatrical Release

Theatrical + 4.5 months

DVD Release/Rental

DVD + 1.5 months

Pay Per View (PPV) Rental

PPV + 6 months

Premium (HBO, Showtime, Starz, etc.)

Premium + 15 months

Free TV (ad supported)

Here’s an example of this structure using a recent box office hit: Paranormal Acitivity. The traditional window, previous to Epix, would look like this:

(Please note. Apart from the movie release, these are NOT announced dates, simply a look at traditional movie windows.)

Movie Release: October 2010

DVD Release/Rental (Netflix): February 2010

Cable Movies on Demand/PPV: March-April 2010

Premium TV Channel (Showtime): September 2010

Free TV: December 2011

So, let’s pretend you’re a Comcast subscriber for a moment. You would have been able to watch the movie on DVD first, then buy it through your Movies on Demand service, then watch it through your Showtime subscription, and finally some time close to never watch it on free TV. Head spinning yet?

Well, Epix is now on the scene and Paranormal Activity happens to be a Paramount film. So, now the film will no longer be available on Showtime.

So now, the story goes first on DVD, then Movies on Demand through the cable company, then Epix on TV and online, and finally when hell freezes over on free TV. Confused again? Yup. I haven’t even mentioned that Netflix is considering delaying their DVD rental offerings 30 days to pay the studios less. Oh, and of course, companies like Comcast are pushing day-and-date movies on demand offerings with the DVD window.

All I wanted to know was when and where I could watch the movie again. Crikey…

In short, Epix is interesting to me purely for its online subscription-model offering. They can’t compete with the movie quality of other pay TV networks like HBO. Yes, Netflix is doing online streaming but Epix claims that they will have more and better quality movies online soon. Epix is connected to a distributor whereas Netflix need not rely on one. Both subscriptions cost about the same but one gives you additional access to 100,000 DVD rentals and the other to a TV channel and on demand network. Epix has the closest relationship and pull with the movie studios except in this case, its just three of them.

Epix needs more distribution to make some noise but if they find some, things will start to get a bit more interesting. Game on.

Add to FacebookAdd to DiggAdd to Del.icio.usAdd to StumbleuponAdd to RedditAdd to BlinklistAdd to TwitterAdd to TechnoratiAdd to Yahoo BuzzAdd to Newsvine

Reblog this post [with Zemanta]


BROADCAST/CABLE by Marauder

BROADCAST/CABLE

The Season 3 finale of AMC‘s “Mad Men” attracted 2.3 million viewers, according to preliminary Nielsen data, the show’s second-highest viewership mark of the season. The drama about the advertising business in the 1960s averaged 1.8 million viewers per episode during its third season, a 20% improvement over last season. Variety (11/9

Mad Men Season 3

NBC’s exit from scripted series to air “The Jay Leno Show” weeknights at 10 p.m. has left 1.82 million young viewers up for grabs, and CBS and ABC have let most of them slip away six weeks into the television season. (Bloomberg11/9)

Reblog this post [with Zemanta]


BROADCAST/CABLE by Marauder

BROADCAST/CABLE

The deal between Comcast and NBC Universal is moving toward a likely official conclusion as media honchos gathered this week at 30 Rockefeller Plaza to kick tires, scrutinize balance sheets and perform due diligence. (The Wrap 10/22)

Comcast NBC

Jeff Gaspin, NBC Universal’s top television exec, claims that NBC will no longer program to profit margins — meaning no more “Jay Leno”-like programming that is profitable merely because it is cheaply produced. The announcement is said to be “stunning” Hollywood. (The Washington Post 10/23)

Stunning yes, if you consider that Marc Graboff (Co-Chairman/NBC) mentioned mere days ago at Digital Hollywood LA how profitable Leno was for the advertisers and how he considered that things were going “well.”


To satisfy the “Gleeks,” aka fans of new frosh series Glee, FOX said it will release the first 13 episodes of its music-filled drama on DVD at the end of this year, per Variety. ‘Glee’ Season One: Road to Sectionals will be available in stores by December 29. The 13-episode set will also contain a director’s cut of the pilot episode as well as behind-the-scenes features, cast audition clips and music performances from the show. Later in mid-2010 the full first season of Glee will be released on DVD, picking up the new original episodes slated to air on FOX next spring. The 13-episode set, coming out this December will also include a voucher toward the purchase of the full season box set. (Cynopsis 10/23)

Reblog this post [with Zemanta]


ONLINE SERVICES/INTERACTIVE MEDIA by Marauder
October 23, 2009, 3:53 PM
Filed under: ONLINE SERVICES/INTERACTIVE MEDIA | Tags: , , , , , , ,

ONLINE SERVICES/INTERACTIVE MEDIA

For those who like renting movies, Hollywood may soon have a message: Prepare to wait. In an effort to push consumers toward buying more movies, some major film studios are considering a new policy that would block DVDs from being offered for rental until several weeks after going on sale. (LA Times 10/23)

This is ridiculous. So now, the thought process is that consumers will simply accept that they can no longer get Netflix movies in the same time frame and go out to buy one instead of renting? Come on. This will force advanced users to the bitorrents to illegally download. There is a difference in strategy between renting and buying. If I don’t want to permanently own something, this coercion won’t change anything. It will really just piss me off. And…prepare for angry comments on Netflix.

Netflix


Hulu, the free online video site where television shows and movies can be watched in their entirety, will start charging fees at some point, one of its owners said. (AP10/22)

MySpace launched its own music video site a week before the planned launch of Vevo. Build playlists, search for and browse curated, popular and recently added embeddable ad supported music videos. The Artist Dashboard interface provides access to charts, graphs, and snapshots of MySpace Music data for all global artists, documenting fan geography, song plays, profile views, friend count, and profile visitors. An integration with iLike also provides top-line data from iLike partner networks. (Cynopsis 10/23)

Reblog this post [with Zemanta]


BROADCAST/CABLE by Marauder

BROADCAST/CABLE

Oprah Winfrey, aiming to climb back from last season’s ratings slump, will attempt to make up with conservative viewers on Nov. 16 when she has Sarah Palin on her syndicated talk show. Palin’s new book, “Going Rogue,” is scheduled to hit bookstores the next day. (Iwantmedia 10/21, Washington Post 10/21)

Palin

Combining metrics across multiple platforms, ESPN says it delivered its biggest audience ever in Sept., including a combined total day rating of 1.65 million homes across ESPN’s networks, a 250% spike in time spent on ESPN 360.com (per Move Analytics,) and a 21% boost in unique visitors to ESPN.com, totaling 28.8 million visitors for the month. ESPN.com also had more viewers of online video in September than ever, with 9.3 million viewers logging nearly 196 million minutes of video viewing. (Cynopsis10/21)

Traditional television viewing patterns are collapsing and the industry needs to quickly figure out how to profit in a world where people can watch TV shows anytime, anywhere, says NBC Universal TV chief Marc Graboff. “The audience is so fragmented at the expense of TV shows.” (Iwantmedia 10/21, Reuters10/20)

Reblog this post [with Zemanta]


BROADCAST/CABLE by Marauder

BROADCAST/CABLE

Beatrice Arthur, 86, star of two iconic television series, died peacefully Saturday at home. Beatrice won Emmy Awards for her role in the 1970s television series Maude and also for her role as Dorothy in the 1980s series The Golden Girls. (Cynopsis 4/27)

bea-arthur1

With an average prime-time delivery of 2.26 million in the first quarter, Fox News Channel with relative ease locked up the No. 2 spot among ad-supported cable networks. But now, the right-leaning news outlet is even looking to oust general-interest network USA as the top cable programmer. Mediaweek (4/27)

President Obama’s communications handlers acknowledge that today’s evolving media landscape works to their advantage. Both network television and newspapers are “bleeding” and are “less powerful.” And Obama is “more popular” than all of the media “combined.” (Iwantmedia 4/27, http://washingtontimes.com/news/2009/apr/27/new-media-no-match-for-popular-president 4/27)

obama44

The major television networks are said to be unhappy with President Obama’s frequent primetime speeches, which are costing them some $10 million per hour in lost advertising revenue. Their revenue models didn’t “anticipate monthly State of the Unions.” (Iwantmedia 4/27, http://www.nypost.com/seven/04252009/business/an_obama_overload_166061.htm 4/25)

NBC says Jay Leno is its top marketing focus for 2009. “Leno is the single most important marketing priority of the year,” according to marketing head Adam Stotsky. The network is considering positioning the new primetime Leno show as a companion to its news programming. (Iwantmedia 4/27, http://www.broadcastingcable.com/article/209983-NBC_Leno_Top_Marketing_Priority.php 4/27)

Fox is facing an uncomfortable future, as Paula Abdul and Simon Cowell — the two biggest stars on its No. 1-rated show “American Idol” — openly discuss leaving, which could send viewership plummeting in future seasons. Millions of dollars in advertising revenue could be at risk. (Iwantmedia 4/27, http://www.reuters.com/article/industryNews/idUSTRE53M0NB20090425 4/24)

idol

CNN, whose strategy is to steer the middle course in its news coverage, is ranked fourth among the cable news channels. Even CNN’s own staffers say its news formula may be preventing the network from competing effectively. (Iwantmedia 4/27, http://www.nytimes.com/2009/04/27/business/media/27cnn.html?_r=1 4/27)

CNN uses less opinion than its competitors. Lou Dobbs is an exception.

cnn-low2

MTV on Tuesday is expected to announce a new reality show called “The Stylist,” an occupational-competition series about fashion and accessory designers who will vie for a major contract. According to published reports, the show is a bit of a departure for MTV because its format will be reminiscent of series on Bravo, the CW and TLC. The Hollywood Reporter (4/26)

Two financial earnings reports to be released this week — Time Warner on Wednesday and Viacom on Thursday — are expected to provide the first detailed indication of how the cable industry fared financially in the first quarter of the year. Time Warner owns cable networks such as TNT, TBS and CNN, and Viacom’s channels include Comedy Central, MTV and Nickelodeon. The Wall Street Journal (4/26)

Analysts are blaming Viacom CEO Philippe Dauman for everything from MTV’s sagging ratings to the 44% fall in the company’s share price since he started. Some investors say they hope that “someday a CEO will come along” who can get more out of the company’s assets. (Iwantmedia 4/27, https://home.crainsnewyork.com/clickshare/authenticateUserSubscription.do?CSProduct=newyorkbusiness-web&CSAuthReq=1240855640:373352450840243&CSTargetURL=http%3A%2F%2Fwww.crainsnewyork.com%2Fapps%2Fpbcs.dll%2Fsection%3Ftemplate%3Dlogin_response 4/27)

Reblog this post [with Zemanta]


ONLINE SERVICES/INTERACTIVE MEDIA by Marauder

ONLINE SERVICES/INTERACTIVE MEDIA

Google has just announced its Q1 2009 results, and for the first time ever, there has been a dip. Revenue fell 3% for the quarter versus the fourth quarter of 2008. But, for the year, revenues were still up. (http://www.techcrunch.com/2009/04/16/google-shows-a-3-sequential-dip-in-revenues-first-one-ever 4/16)

google-rev1

Facebook is closing the gap on Myspace in the U.S. in traffic by unique visitors slowly creeping up on Myspace’s No. 1 social network position.  Worldwide, Facebook took that crown long ago (in April, 2008). But in the U.S., MySpace has been more difficult to displace. (http://www.techcrunch.com/2009/04/16/closing-the-gap-facebook-only-9-million-visitors-away-from-passing-myspace-in-us 4/16)

myspace-fb

YouTube announced today new measures it is taking to more prominently feature and broaden the range of content available on the site from studios including Crackle/Sony Pictures, CBS, MGM, Lionsgate, Starz, the BBC, Anime Network, Cinetic Rights Management, Current TV, Discovery, Documentary Channel, First Look Studios, IndieFlix, National Geographic. The site will now feature a new ‘Shows’ tab in the YouTube masthead, which will allow users to browse through television content by genre, network, title, and popularity. The site now features thousands of full TV episodes, as well as hundreds of movies. Some videos will be available in HD.  At this point the majority of content will come from older TV shows and movies – series like ‘Party of Five’ and ‘Married With Children’, not the current seasons we’ve been seeing on Hulu. (http://www.techcrunch.com/2009/04/16/youtube-takes-aim-at-hulu 4/16)

Adding a ‘show’ tab doesn’t prioritize professional content like a whole site built for it. Party of 5 vs. Family Guy? Easy choice.

party-of-5-hulu

CBS taking home in millions of dollars from online streaming of the Masters Tournament and other sporting events. The network raked in $30 million alone from the NCAA’s March Madness basketball tournament. Users “will actually pay for online sports content.” (Iwantmedia 4/16, http://www.businessweek.com/bwdaily/dnflash/content/apr2009/db20090415_833886.htm 4/15)

If you want to take a peek at how AOL plans to take on Facebook, you need to look beyond Bebo (the social network it bought for $850 million last year) to theBoot, a country music site hidden away off in a corner of AOL Music. A very interesting experiment is going on at theBoot that represents a major plank in AOL’s social-networking strategy. It shows how AOL plans to take on Facebook Connect, which is Facebook’s way of letting other Websites tap into its members and their activity streams. (http://www.techcrunch.com/2009/04/16/its-a-socialthing-aols-plan-to-take-on-facebook-connect-with-lifestreaming-and-chat 4/16)

aol-next

CBS site TV.com, a rival to NBC Universal and News Corp.’s Hulu, says it is in talks to replicate its U.S. video-on-demand service in the United Kingdom through partnerships with broadcasters. Recent reports suggest that Hulu is in talks to launch a U.K. version. (Iwantmedia 4/16, http://www.nma.co.uk/Articles/42187/Hulu+competitor+TVcom+in+talks+for+UK+partnerships.html 4/15)

Talk show host Oprah Winfrey has taken control of her own Twitter name, @oprah, she announced on her Facebook page today. And tomorrow, she’ll start using it, on her show. (http://www.techcrunch.com/2009/04/16/oprah-first-tweet-will-be-tomorrow-with-ashton-kutcher-on-the-show-soccer-moms-to-take-over-the-service 4/16)

o

Yahoo is said to be seeking buyers for HotJobs — and other properties could follow the employment site out of the door. Yahoo struck a deal to buy HotJobs in 2001 for $436 million. Yahoo could spell out what other divisions are for sale when it reports earnings on Tuesday. (Iwantmedia 4/16, http://www.ft.com/cms/s/0/e21df062-2a16-11de-9d01-00144feabdc0.html?nclick_check=1 4/16)

The producers behind Web series “MoCap, LLC,” which revolves around the denizens of a motion-capture studio, say they have found the perfect TV platform for their show — the young male-centric Spike TV. On April 24, the network will kick off six episodes of the series, which is produced by Albie Hecht, Spike’s first president. TVWeek.com (4/15)

mocap

Thirteen.org re-launched their website with nineepisodes of the classic series Soul!, a variety show promoting African-American artistry, community and culture from the seventies.

This sh*t is amazing.  I’m now entranced watching this episode with Taj Mahal in it from Dec 13, 1972.  I may not have been born yet but I still feel connected to this inspirational music from an artist with this much passion and instrument knowledge.  Maybe it’s not digital downloads that are killing the music industry.  After watching this, I think music just needs to get its groove back.

soul

Steve Brill, Gordon Crovitz and Leo Hindery Jr. are starting a company, Journalism Online, aiming to build a system to allow newspapers and magazines to charge for online access. For unlimited subscriptions, the firm is “playing with a figure of $15 a month.” (Iwantmedia 4/16, http://www.nytimes.com/2009/04/15/business/media/15brill.html?_r=1 4/15)

The best way for newspapers to escape their dismal state is to “invent a new product,” says Google CEO Eric Schmidt. “Incumbents very seldom invent the future,” he adds. Schmidt is in talks with newspapers about a new advertising model that “understands your history.” (Iwantmedia 4/16, http://www.nytimes.com/2009/04/15/opinion/15dowd.html 4/15)

The National Basketball Association’s NBA.com today will introduce its new look, which will include five new video channels. One of those channels will exclusively feature the larger-than-life personality of former “Round Mound of Rebound” and current TNT analyst Charles Barkley. TVWeek.com (4/15)

Time Warner Cable, which continues to take heat this week for its metered broadband plan, would like the FCC to back off insisting that ISPs meet net neutrality obligations per Ars Technica, noting a response to the FCC’s call for input regarding the stimulus plan. “Now is not the time, nor is this the appropriate proceeding, to engage in a debate about the need for net neutrality obligations,” the company writes. (Cynopsis 4/16)

Reblog this post [with Zemanta]



Follow

Get every new post delivered to your Inbox.