Filed under: Feature | Tags: Cinemax, Epix, HBO, Indiana Jones and the Kingdon of the Crystal Skull, Iron Man, online video, Pay television, Pay TV, Showtime, Starz, Television, Television network, Television program
THE ONLINE VIDEO GORILLA IN THE ROOM: EPIX
Epix, the new premium TV channel from Paramount, MGM, and Lionsgate, launched on TV and online at the end of October. The launch opened up movie catalogues from each of the three studios to be watched on three separate platforms; the content triple threat if you will. In a world of packed viewing options, how did we get to the point where three movie studios have launched a new pay TV channel?
Here’s the skinny. In 2008, Showtime’s contracts with Paramount, MGM, and Lionsgate expired. You see, in the premium pay TV world, channels like HBO and Showtime manage two streams of content: their original programming including both television series and films, and their movie studio content. These channels pay the studios premiums to air their movies on TV for a determined amount of time. When these contracts near expiration, negotiations settle in.
In this case, the negotiations between Showtime and these studios were fairly contentious. The studios wanted a higher fee than Showtime was willing to pay. So passionate were these negotiations, the studios basically declined revenues from Showtime entirely to instead walk away from the deal entirely. Showtime will now lose Paramount films released after Jan 1 2008 and MGM/Lionsgate films released after Jan 1 2009. That includes heavy box office winners like Iron Man ($318M US box office) and Indiana Jones and the Kingdom of the Crystal Skull ($317M bo).
Instead of negotiating with another pay TV channels, like HBO or Starz, the three studios instead pursued the completely unexpected option: form their own pay television network.
I worked at HBO for the past 4 years and hence was a little more eager than most to try out the product. When I initially heard about the new pay service, I was generally mystified. In a world of disaggregation,with content scattered on premium networks like HBO, online through services like Netflix and Hulu, download-to-own/rent on iTunes, and on demand, I hardly saw the need for additional options. That said, as audiences trend online to watch content, I was most interested in taking a look at the online product. Here’s a break down:
Availability
If you are a Verizon FIOS subscriber, you have access to the product. In addition, Epix is offering 50 thirty-day invitation codes to Marauder readers who are the first to Follow @epixHD on twitter AND tweet “@epixhd Experience Epix #DailyMarauder.” If you miss your chance, you can also get a weekend invitation code if you visit the site during the month of November.
Content
Emil Rensing, Chief Digital Officer of Epix, tells me that as of today, there are 183 movies on the service. By the second quarter of next year, the goal is 3,000 movies. I asked Emil about Epix’s competition, eager to find out whether the channel views traditional pay networks like HBO and Showtime as competition vs. online movie providers like Netflix. “I’m personally a subscriber to both HBO and Netflix. I love the DVD service that Netflix provides but we’ll have more content online than Netflix. HBO doesn’t yet have the licenses to put all of their movie content online.“ Being that Netflix claims 12,000 streaming titles online, I pushed Emil on his answer. Within those 12,000 titles, Emil claims 2,000 are movies, “The preponderance of those titles is either public domain or bottom tier selections. They don’t have a lot of titles that will drive the subscription nut…We don’t buy content. We buy hits.”
User Experience
Hulu-Like Video Player
The online video itself looks and feels very similar to the Hulu experience. It rocks the same full screen, pop out, and light dimming options. Epix, however, features 720P HD quality for all of its movies, if you have a connection speed which can handle it of course. If not, it delivers the video to you in a quality compatible with your connection speed. Hulu also has films in 720P through their HD gallery although I only peeped 3 TV episodes in the library when I drove through this morning.
Finding What you Want
Either browse or search for content using predictive content options based on what you type in the search box. In this case, I was typing “Valenti” . I wasn’t looking for My Bloody Valentine but instead for the Valentino documentary.
Watching Movies Online with Friends
Here’s my favorite feature. Viewers can watch a movie with up to 4 of their friends, even if that friend is not an Epix subscriber. This is an acquisition and retention play of sorts but a very smart one at that. To make the analogy work a little harder for you, imagine if I could call you, the non-HBO subscriber, and invite you to instantly watch that next episode of True Blood with me from each of our respective houses. Yah, pretty neat. Here, fellow Marauder Martha and I, watch The Curious Case of Benjamin Button from each of our houses in NYC and LA.
Movie watchers can type messages to each other while watching allowing an almost couch-like experience. Martha and I tested this feature three times over the course of a week. Our results varied from seamless to all-out failure.
Portability
The content is currently only available in a streamed model meaning that the viewer can only watch when connected to the internet. Starz Play, the online offering from Starz also available from Verizon FIOS, is instead a download model offering the option to watch movies on a computer screen or portable device even when Google decides not to holiday gift free Wi-Fi to the masses.
Distribution
Currently, Epix only has one distributor with Verizon FIOS giving them access to a pool of only 2.5 million subscribers. The two most attractive cable operators in the US according to audience size are Comcast (25M subs) and Time Warner Cable (15M subs). In July, Comcast publically responded that they were not interested in the service and think that it is in fact, “a bad idea.” So that leaves, Time Warner Cable as the most attractive girl in the room. Rumors have been floating around about a DISH distribution deal, which would pick up just over 13M subscribers and give Epix a bit more to talk about. The other pay TV networks are watching, but not really paying attention until Epix finds someone to carry the channel to more people. And even then, it’s really Showtime which has the most to worry about. It seems as though CEO Matt Blank may agree on this one.
Price
$10 per month. The service was initially offered its first weekend as a free preview.
The Low Down
Epix most reminds me of Hulu at least in the reason for its creation. Hearken back to the days in which Hulu was “New Site” and everyone laughed at its imminent failure. Mr. Techcrunch himself, Michael Arrington, liked to call New Site Clown Co. before it was dubbed Hulu.
Hulu was created as a joint venture between two broadcast television networks (Fox and NBC) which wanted more control (and hence revenue potential) over the distribution of their content in an iTunes world. Let’s just remember how NBC felt about Apple during one painful period in which The Office wasn’t available on iTunes.
Similarly, Epix was built by three movie studios, who in a world of Hulu, Netflix, and Showtime, wanted more control over their content. Both decisions were risky for the companies in question. Just ask Jeff Zucker from NBC how those digital pennies, dimes, or whatever currency he’s using these days are doing.
Here’s the main difference between Epix and Hulu: Hulu acts as a central location for all content even if its not featured in its super slick video player. Epix only offers content from these three studios.
Epix isn’t interesting to me as another pay TV network. We have HBO, Cinemax, Showtime, Starz, and a few others you probably don’t even realize you have. In a world of Movies on Demand, pay TV networks, Hulu, Netflix, and those things we used to call DVD’s, do we really need one more TV channel? In short, no. No we don’t. The cable operators realize this. They have enough to sell you when you call to set up service. HBO and Showtime used to be the cash cow for the cable companies. With the advent of online and digital phone services, this is no longer the case. The revenue potential on these two services far outweighs the opportunity upside on a pay TV network. So, why would I, Mrs. Cable Company, choose to carry another pay TV network that I will have to relegate marketing budget to? Hmmm…
Back to the consumer perspective. To really dig in on this, it’s important to quickly reference the content windows.
Traditional Windows
|
Time |
Platform |
|
Start |
Theatrical Release |
|
Theatrical + 4.5 months |
DVD Release/Rental |
|
DVD + 1.5 months |
Pay Per View (PPV) Rental |
|
PPV + 6 months |
Premium (HBO, Showtime, Starz, etc.) |
|
Premium + 15 months |
Free TV (ad supported) |
Here’s an example of this structure using a recent box office hit: Paranormal Acitivity. The traditional window, previous to Epix, would look like this:
(Please note. Apart from the movie release, these are NOT announced dates, simply a look at traditional movie windows.)
Movie Release: October 2010
DVD Release/Rental (Netflix): February 2010
Cable Movies on Demand/PPV: March-April 2010
Premium TV Channel (Showtime): September 2010
Free TV: December 2011
So, let’s pretend you’re a Comcast subscriber for a moment. You would have been able to watch the movie on DVD first, then buy it through your Movies on Demand service, then watch it through your Showtime subscription, and finally some time close to never watch it on free TV. Head spinning yet?
Well, Epix is now on the scene and Paranormal Activity happens to be a Paramount film. So, now the film will no longer be available on Showtime.
So now, the story goes first on DVD, then Movies on Demand through the cable company, then Epix on TV and online, and finally when hell freezes over on free TV. Confused again? Yup. I haven’t even mentioned that Netflix is considering delaying their DVD rental offerings 30 days to pay the studios less. Oh, and of course, companies like Comcast are pushing day-and-date movies on demand offerings with the DVD window.
All I wanted to know was when and where I could watch the movie again. Crikey…
In short, Epix is interesting to me purely for its online subscription-model offering. They can’t compete with the movie quality of other pay TV networks like HBO. Yes, Netflix is doing online streaming but Epix claims that they will have more and better quality movies online soon. Epix is connected to a distributor whereas Netflix need not rely on one. Both subscriptions cost about the same but one gives you additional access to 100,000 DVD rentals and the other to a TV channel and on demand network. Epix has the closest relationship and pull with the movie studios except in this case, its just three of them.
Epix needs more distribution to make some noise but if they find some, things will start to get a bit more interesting. Game on.
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- Epix to launch premium movie channel this weekend (get free passes here) (venturebeat.com)
- New Premium Net Epix Pushing To Add Distribution Partners Before Oct.30 Launch (paidcontent.org)
- Studios launch Epix high-def, on-demand movies site (and we have invites) (arstechnica.com)
Filed under: ONLINE SERVICES/INTERACTIVE MEDIA | Tags: Facebook, Google, Hulu, Masters Tournament, Myspace, Starz, Television program, YouTube
ONLINE SERVICES/INTERACTIVE MEDIA
Google has just announced its Q1 2009 results, and for the first time ever, there has been a dip. Revenue fell 3% for the quarter versus the fourth quarter of 2008. But, for the year, revenues were still up. (http://www.techcrunch.com/2009/04/16/google-shows-a-3-sequential-dip-in-revenues-first-one-ever 4/16)
Facebook is closing the gap on Myspace in the U.S. in traffic by unique visitors slowly creeping up on Myspace’s No. 1 social network position. Worldwide, Facebook took that crown long ago (in April, 2008). But in the U.S., MySpace has been more difficult to displace. (http://www.techcrunch.com/2009/04/16/closing-the-gap-facebook-only-9-million-visitors-away-from-passing-myspace-in-us 4/16)
YouTube announced today new measures it is taking to more prominently feature and broaden the range of content available on the site from studios including Crackle/Sony Pictures, CBS, MGM, Lionsgate, Starz, the BBC, Anime Network, Cinetic Rights Management, Current TV, Discovery, Documentary Channel, First Look Studios, IndieFlix, National Geographic. The site will now feature a new ‘Shows’ tab in the YouTube masthead, which will allow users to browse through television content by genre, network, title, and popularity. The site now features thousands of full TV episodes, as well as hundreds of movies. Some videos will be available in HD. At this point the majority of content will come from older TV shows and movies – series like ‘Party of Five’ and ‘Married With Children’, not the current seasons we’ve been seeing on Hulu. (http://www.techcrunch.com/2009/04/16/youtube-takes-aim-at-hulu 4/16)
Adding a ‘show’ tab doesn’t prioritize professional content like a whole site built for it. Party of 5 vs. Family Guy? Easy choice.
CBS taking home in millions of dollars from online streaming of the Masters Tournament and other sporting events. The network raked in $30 million alone from the NCAA’s March Madness basketball tournament. Users “will actually pay for online sports content.” (Iwantmedia 4/16, http://www.businessweek.com/bwdaily/dnflash/content/apr2009/db20090415_833886.htm 4/15)
If you want to take a peek at how AOL plans to take on Facebook, you need to look beyond Bebo (the social network it bought for $850 million last year) to theBoot, a country music site hidden away off in a corner of AOL Music. A very interesting experiment is going on at theBoot that represents a major plank in AOL’s social-networking strategy. It shows how AOL plans to take on Facebook Connect, which is Facebook’s way of letting other Websites tap into its members and their activity streams. (http://www.techcrunch.com/2009/04/16/its-a-socialthing-aols-plan-to-take-on-facebook-connect-with-lifestreaming-and-chat 4/16)
CBS site TV.com, a rival to NBC Universal and News Corp.’s Hulu, says it is in talks to replicate its U.S. video-on-demand service in the United Kingdom through partnerships with broadcasters. Recent reports suggest that Hulu is in talks to launch a U.K. version. (Iwantmedia 4/16, http://www.nma.co.uk/Articles/42187/Hulu+competitor+TVcom+in+talks+for+UK+partnerships.html 4/15)
Talk show host Oprah Winfrey has taken control of her own Twitter name, @oprah, she announced on her Facebook page today. And tomorrow, she’ll start using it, on her show. (http://www.techcrunch.com/2009/04/16/oprah-first-tweet-will-be-tomorrow-with-ashton-kutcher-on-the-show-soccer-moms-to-take-over-the-service 4/16)
Yahoo is said to be seeking buyers for HotJobs — and other properties could follow the employment site out of the door. Yahoo struck a deal to buy HotJobs in 2001 for $436 million. Yahoo could spell out what other divisions are for sale when it reports earnings on Tuesday. (Iwantmedia 4/16, http://www.ft.com/cms/s/0/e21df062-2a16-11de-9d01-00144feabdc0.html?nclick_check=1 4/16)
The producers behind Web series “MoCap, LLC,” which revolves around the denizens of a motion-capture studio, say they have found the perfect TV platform for their show — the young male-centric Spike TV. On April 24, the network will kick off six episodes of the series, which is produced by Albie Hecht, Spike’s first president. TVWeek.com (4/15)
Thirteen.org re-launched their website with nineepisodes of the classic series Soul!, a variety show promoting African-American artistry, community and culture from the seventies.
This sh*t is amazing. I’m now entranced watching this episode with Taj Mahal in it from Dec 13, 1972. I may not have been born yet but I still feel connected to this inspirational music from an artist with this much passion and instrument knowledge. Maybe it’s not digital downloads that are killing the music industry. After watching this, I think music just needs to get its groove back.
Steve Brill, Gordon Crovitz and Leo Hindery Jr. are starting a company, Journalism Online, aiming to build a system to allow newspapers and magazines to charge for online access. For unlimited subscriptions, the firm is “playing with a figure of $15 a month.” (Iwantmedia 4/16, http://www.nytimes.com/2009/04/15/business/media/15brill.html?_r=1 4/15)
The best way for newspapers to escape their dismal state is to “invent a new product,” says Google CEO Eric Schmidt. “Incumbents very seldom invent the future,” he adds. Schmidt is in talks with newspapers about a new advertising model that “understands your history.” (Iwantmedia 4/16, http://www.nytimes.com/2009/04/15/opinion/15dowd.html 4/15)
The National Basketball Association’s NBA.com today will introduce its new look, which will include five new video channels. One of those channels will exclusively feature the larger-than-life personality of former “Round Mound of Rebound” and current TNT analyst Charles Barkley. TVWeek.com (4/15)
Time Warner Cable, which continues to take heat this week for its metered broadband plan, would like the FCC to back off insisting that ISPs meet net neutrality obligations per Ars Technica, noting a response to the FCC’s call for input regarding the stimulus plan. “Now is not the time, nor is this the appropriate proceeding, to engage in a debate about the need for net neutrality obligations,” the company writes. (Cynopsis 4/16)
Filed under: BROADCAST/CABLE | Tags: Academy Award, Arts, Harvey Milk, Movies, NBC Universal, Sean Penn, Starz, United States
Looking to whip up excitement about its upcoming “Party Down” series, Starz will release the first episode to multichannel providers a week before the March 20 debut. Partners such as Charter, Comcast, Cox, Mediacom and Insight plan to offer the episode, beginning March 13, via their on-demand and online services. Multichannel News (3/4)
NBC Universal announced the day-and-date release of the Focus Features film Milk, winner of two Academy Awards including Best Actor for Sean Penn‘s performance as Harvey Milk. The film will be available On Demand (VOD) March 10, the same day it releases on DVD and BLU-RAY HI-DEF from Universal Studios Home Entertainment. (Cynopsis 3/5)
Killing the DVD platform one day-and-date release at a time.
FOX announced it will premiere variety series Osbournes: Reloaded, headlined by the eccentric Osbourne clan of Ozzy, Sharon, Jack and Kelly, on March 31 at 9p following American Idol. The show will integrate audience interaction and comedic stunts as well as recurring segments such as “Osbourne in the USA” where the family works in places like a fast-food drive-thru. After its premiere, FOX will air additional Osbournes: Reloaded episodes as a series of specials throughout the season. FremantleMedia North America produces. (Cynopsis 3/5)
Michael Angelakis, Comcast’s chief financial officer, said the country’s largest cable provider would increase revenue, cash flow and revenue-generating units in 2009. “To what extent will we grow those metrics, I’m not 100% sure,” Angelakis said at an investor conference in Florida on Wednesday. “We are very confident we will grow those metrics.” CNNMoney.com/Dow Jones Newswires (3/4) , OneTRAK (3/4)
Filed under: BROADCAST/CABLE | Tags: Arts, Dennis Hopper, Disney Channel, High School Musical, Nickelodeon, Starz, Television, Univision
E! registered more pre-Oscar viewing on its network as 3.2 million total viewers watched its two-hour Live from the Red Carpet show Sunday night at 6p, up 14% from a year ago. The show additionally captured a 2.43 HH rating. (Cynopsis 2/24)
In the ongoing battle for the attention of America’s youth, Nickelodeon has built a business model that, the Viacom network admits, borrows a thing or two from rival Disney Channel, the latest of which was Nickelodeon’s Feb. 16 launch of “Spectacular,” an upbeat musical that resembles Disney’s “High School Musical.” “I think they tapped into a genre that had been sleepy,” said Nickelodeon President Cyma Zarghami. “Now, it’s a genre that is open for everybody.” The New York Times (2/23)
The cast of “Glen Martin DDS,” about an eccentric dentist’s family, which will start on Nick at Nite this summer.
“Crash,” the first original series from Starz, received a new 13-episode order that will make up the series’ second season. The show, which stars Dennis Hopper, will have a new behind-the-scenes creative team in its sophomore outing, and about half of the cast, including Hopper, will remain on board. The Hollywood Reporter (2/23)
Univision’s finale of its novela Fuego en la Sangre (Burning for Revenge) last Friday night at 9p was #1 for the hour with all A18-34 and A18-49 viewers, across all languages. The one-hour conclusion attracted 1.8 million A18-34 viewers, 3.2 million A18-49 viewers and nearly 5.9 million total viewers. (Cynopsis 2/24)
VH1 is developing a reality series that will feature some of the “most compelling female residents” of Aspen, Colo., a representative for the network said. And, according to this report, the show is part of a new programming trend that features conspicuous consumption by the country’s moneyed set. Broadcasting & Cable (2/23)
Filed under: BROADCAST/CABLE | Tags: Arts, Biography Channel, Rocky Horror Picture Show, Starz, Staten Island, Television, Time Warner Cable, Verizon Communications
Oxygen attracted its best ratings and highest viewership for a Tuesday prime-time show as “Tori & Dean: Home Sweet Hollywood” drew 1.1 million viewers this week. The show drew a 1.1 Nielsen household rating and grew 24% in total viewers compared with a week ago. Multichannel News (7/23)
MTV is preparing a remake of the wildly popular cult classic “The Rocky Horror Picture Show.” Casting and a premiere date are yet to be determined, but the two-hour update is expected to rely on the original script and may contain some new songs not in the 1975 original. Variety (7/23)
The Original Trailer
Facing a looming competitive challenge from Verizon Communications in Manhattan, Time Warner Cable announced it had bulked up its high-definition menu in three boroughs, Brooklyn, Queens and Staten Island. Among the new HD offerings are Biography Channel, Starz Edge, Starz Kids & Family and Starz Comedy. Multichannel News (7/23)
Now that the two titans of satellite radio — XM and Sirius — have merged, why not the two big sat-TV firms, DirecTV and Dish Network? But analysts say there are two big obstacles to such a combination: federal regulators put the kibosh on such a deal a few years ago and there isn’t a natural seller. The Hollywood Reporter (7/23)
Filed under: BROADCAST/CABLE | Tags: Andrea Wong, Army Wives, Disney-ABC Domestic Television, Hopper, Starz, Starz Entertainment, Television Critics Association, United States
The second-season premiere Thursday of USA’s “Burn Notice” attracted 5.39 million viewers overall — a 35% increase over its series debut one year ago, according to Nielsen. The show also performed well with the 18-to-49-year-old demographic group: It scored a 1.8 rating/6 share in the advertiser-friendly demo. (Variety 7/13)
Just five weeks into the second season of its “Army Wives,” Lifetime has announced a third season of the popular series. At the Television Critics Association press tour, Lifetime President and CEO Andrea Wong explained the early renewal: “Since premiering last year, ‘Army Wives’ has become a game-changer for Lifetime.” (Yahoo!/E! Online 7/11)
Crash, the original drama series based on the Oscar winning movie of 2006, is set to debut on Starz on Friday, October 17 at 10p. Co-produced by Lionsgate and Starz Entertainment, the series stars Dennis Hopper. Starz has ordered 13 episodes. (Cynopsis 7/14)
Richard Parsons, CEO of Time Warner, says he is “much more bullish” on the media industry than investors. “People will continue to consume more and more of what entertainment companies produce,” he insists. Parsons adds that companies can’t create value by merely breaking them up. (http://www.bloomberg.com/apps/news?pid=20601087&sid=aOi7d6Jog9WY 7/11)
Scripps Network Interactive, which houses cable nets such as HGTV, Food Network and DIY, remains at the center of speculation about an acquisition by NBC Universal. Such a deal, according to this article, could fetch more than SNI’s $6.5 billion market capitalization. (Multichannel News 7/13)
NBC Universal says its profit rose just 1% in the second quarter, as revenue growth at cable networks USA, Bravo and Sci-Fi were partially offset by declines at the NBC broadcast network and its owned-and-operated TV stations. NBC primetime ratings are down about 10%. (http://www.marketwatch.com/news/story/nbc-universal-profit-inches-higher/story.aspx?guid=%7B52515315%2D51C3%2D4E48%2D88D0%2D0A8E3F2AF990%7D 7/11)
John Malone has spent about $95 million on 3.8 million shares of Liberty Capital Group, one of the tracking stocks connected to his Liberty Media firm, according to this report. Assets in Liberty Capital include the Atlanta Braves as well as minority positions in Time Warner and Sprint Nextel. (Multichannel News 7/14)
A survey by the Gay & Lesbian Alliance Against Defamation reported that FX, HBO and Showtime offer the most responsible coverage of gay and lesbian characters on cable TV. HBO also was singled out for having the most ethnically diverse characters. (Reuters/The Hollywood Reporter 7/14)
In a statement issued early Friday evening, SAG leaders said they still want to negotiate the final offer given to them from the Alliance of Motion Picture & Television Producers nearly two weeks ago. The AMPTP said their offer was indeed the last and best offer available, calling it a “take-it-or-leave-it proposition” which will not be enhanced further. (Cynopsis 7/14)




















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