Daily Marauder


THIS WEEK: SUPERBOWL RECAP & PINTEREST WEARS THE BIG KID PANTS by Marauder

THIS WEEK: SUPERBOWL RECAP & PINTEREST WEARS THE BIG KID PANTS

Doug Mills/The New York Times

Good morning Giants fans. Go ahead. Lord your supremacy over us Patriots fans. I’m originally from Rhode Island and so became a full-blooded Patriots fan last night at a bar in Saratoga Springs, NY. What to do when surrounded by Giants fans? Become the #1 annoying fan and learn to avoid thrown glasses.

Being that I’m in the ad industry, my main interest in the Superbowl is the commercials and according to a study by Hanon McKendry , 54% of Superbowl watchers are just like me. For $3MM for 30 seconds, let’s give these ads their due respekt. Thus spawns, the Marauder Top 5. Unlike the USA Today Ad Meter which employs ratings from its web site or Facebook to determine a winner, I’m using a much simpler and valuable rating system: YouTube video views combined with my own opinion. To qualify those views, I am also listing out the upload date as most of these commercials were uploaded a week out from the Superbowl itself. Below my top 5, you will find the commercials I was not a fan of but listed as they pulled considerable weight in video views.


Daily Marauder Top 5: Superbowl 2012 Commercials

VW “The Dog Strikes Back”

5 MM views

Upload Date: 1/30

Kia “A Dream Car. For Real Life.”

4 MM views

Upload Date: 1/31

Chevy Sonic “Stunt Anthem”

743K views

Upload Date: 1/27

Sketchers “Go Run”

450K views

Upload Date: 1/26

Bud Light “Rescue Dog”

150K views

Upload Date: 2/3

Notable Mentions: Superbowl 2012 Commercials

Acura “Transactions”

Almost a winner until I saw the appearance of Jay Leno. Instant fail.

15 MM views

Upload Date: 1/30

Honda CR-V “Matthew’s Day Off”

Here’s the thing. “Ferris” just looks old and bloated. I felt depressed after watching it.

12MM views

Upload Date: 1/26


That said, while likability is fun to assess, it matters less in translating to brand sales. Many brands attempted to take their Superbowl ad buy one step further by creating a digital link using Shazam for TV. While many think of Shazam as a mobile app to identify what song is playing, the company recently updated to allow users to Shazam TV as well creating a digital extension both from TV episodes and commercials alike. This affords the TV commercial some digital legs allowing an easier transition from TV to digital. The best example from a brand last night came during the Toyota Camry commercial. Users could Shazam the commercial for a chance to win 2 Toyota Camrys during the game.

In other news, Facebook prepares for its IPO, Path doubles its user count to 2MM having re-launched 2 months ago, the Susan B. Komen Foundation reverses its decision to cut funding to Planned Parenthood , Pinterest wears the big kid pants in the social media family, and the Grammys piles on some interesting digital extensions to their coming broadcast.

Some more Cool Sh-t:

Commercial Crashers: The Old Spice Guy



THIS WEEK: COUNTDOWN TO THE SUPERBOWL & SOPA by Marauder

THIS WEEK: COUNTDOWN TO THE SUPERBOWL & SOPA

 

Barton Silverman/The New York Times


It looks like you Giants fans have something to celebrate this morning with the Giants win last night over the San Francisco 49ers. This will bring the NY Giants to face the New England Patriots in Super Bowl XLVI. Being that I’m from Rhode Island, I just might care about this one. Usually, apart from the Thanksgiving holiday, I’m content to ignore the blatant football around me, instead busying myself with perfecting my latte art skills or hiking in the Santa Monica Mountains. This time, with Facebook before me, it was a bit difficult to ignore the game and the overtime field goal which caused celebrations in the east.

Speaking of the Superbowl, last week Volkswagen promoted their Superbowl with what else, an ad. This one featured adorable pooches howling out the Star Wars theme song in an ad dubbed “The Bark Side.” The ad already has over 7MM views on YouTube which is fairly incredible if you consider that this is simply a teaser for…a Superbowl ad. For an explanation of how it was produced, click here. If you remember from last year’s Superbowl, the VW spot featured a young Darth Vader practicing his force and won big as one of the top-rated ads from the game.

In other news, last week saw the internet retaliate at the legislation on the docket dubbed SOPA or PIPA. Rather than an homage to British royalty, these two insidious pieces of legislation threaten to change the infrastructure of the internet and threaten freedom of speech globally under the auspices of copyright law. As someone who worked for an entertainment company (HBO) for 4 years, I am well aware of the value of content. I have been on multiple sets, I am friends with executive producers, I have welled up while listening to Ross Katz discuss his creative process while filming Taking Chance; I am someone who understands the cost and undertaking devoted to creating quality content. That said, the idea that control will fix the problems ailing the content industry is misguided and frankly a sign that consumers’ needs have lapped Hollywood’s delivery of content. I recently read VC Fred Wilson’s plea to Hollywood entitled ‘Scarcity is a Shitty Business Model.’ This has been shown time and time again to be undoubtedly true.

Consider Napster. When Napster was shut down in 2001 and iTunes came raging onto the scene in 2003, many argued that consumers would not buy music for $.99. However, the slick user interface and sheer online availability of music settled that debate quickly proving that consumers would in fact pay if given an easy process for transacting and lots of content.  Back to Hollywood. The window structure is simply killing the industry. The window models were created based on an infrastructure that not only no longer exists but will trend farther from its origins over the next few years.

I’ve been recently watching the British series Downton Abbey. In one episode, the wealthy Crowley family updates their lavish home with innovative light bulbs replacing their dimmer cousins, the candles. The grandmother, Dowager Countess of Grantham, expertly acted by Maggie Smith, expresses her discord that the new bulbs are burning her eyes and far too bright. Change is always uncomfortable but inevitable nonetheless. To ignore it and try to squeeze and manipulate the inevitability will always fail. In other words, SOPA/PIPA won’t do justice to their objective, protecting the content and its creators. Furthermore, by censoring the internet under the guidelines that it poses, the legislature threatens to impede innovation across the internet simply because the entertainment industry refuses to innovate.

So here’s my plea to the studios. Innovate the business models, with a considerable shift in availability to speak to consumers’ needs. Eradicate the window structure. Yes, I know the drill. So many companies are involved here that eradication is made difficult. The solution to the problem is never easy but it stands just the same. Allow viewers to watch content on any platform they wish all at the same time, but create a revenue model for each. Think long. Don’t think short. The iPod was a gateway drug for Apple to the success they thrive on today. Consider that the revenues won’t immediately signal success when considered back-to-back (I’m looking at you Jeff Zucker and your digital dimes analogy). Become a misfit and make a revolutionary change. Make some waves, shock the other studios, and consumers will follow you to the bank.

Finally, the Super Bowl gets a social media command center and former Penn State football coach Joe Paterno dies at 85 re-igniting the debate of his misconduct in ignoring the abuse of his subordinates.

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BROADCAST/CABLE by Marauder

BROADCAST/CABLE

NBC’s broadcast of the Pittsburgh Steelers‘ victory over the Arizona Cardinals in Super Bowl XLIII was seen in 42.1 percent of U.S. television homes, below the 43.1 rating in the 2008 game. Last year’s teams, the New York Giants and New England Patriots, have larger fan bases. (Iwantmedia 2/2, http://www.bloomberg.com/apps/news?pid=newsarchive&sid=aSF8HlY3jTo0 2/2)

sb-43

NBC revealed its sold-out advertising inventory within Super Bowl XLIII broke all previous Super Bowl records totaling $206 million, though the total for the entire Super Sunday ticked up to $261 million. Spots within the Big Game went for $3 million apiece, while spots in the pregame went for $44,500 per spot during the first hour (noon-1p) and up to $1.6 million for those placed in the 15-minute window prior to kick-off. NBC tallied a total of 32 advertisers and their commercials can be viewed online via NBC.com, Hulu.com and Superbowl.com. (Cynopsis 2/2)

Last Thursday’s episode of USA Network‘s “Burn Notice” attracted 5.38 million viewers and, in what is believed to be a first, beat out corporate cousin NBC during the 10 p.m. hour, which aired a rerun of “ER.” “Burn Notice” also put up a 2.0 rating among adults 18 to 49 — its best showing yet in that demo. TVWeek.com (1/30)

burn-notice2

MTV is bringing back a fourth installment of Making The Band, picking up the story of Danity Kane, Day 26 and Donnie Klang where the last season ended. Making The Band 4 premieres February 12 at 9p and this Thursday at 9p, fans of the series can watch a third season re-cap special titled Damaged: A Making The Band Special. Bad Boy Entertainment produces the franchise. (Cynopsis 2/2)

Universal Cable, the production company for NBC Universal cable nets USA and Sci Fi, has put together its first deals: a two-year overall agreement with “Psych” creator/executive producer Steve Franks and a one-year, first-look pact with director Jace Alexander. According to this article, the moves reflect a growing trend toward so-called “showverall deals” as more studios move away from development deals toward bargains with creators, showrunners and directors of in-family hits. The Hollywood Reporter (2/2)

The Obama administration said late last week that it expected lawmakers to pass legislation that would delay the transition to all-digital TV signals from Feb. 17 to June 12. A DTV delay measure has twice been passed in the Senate and this week is expected to come up for another vote in the House. Reuters (2/1) , Broadcasting & Cable (1/30)

ABC okayed two comedy pilots: The New Twenty from writer/executive producer Tad Quill (Scrubs) and ABC Studios about two forty-ish friends who are at different junctures in life; and Let It Go starring Lauren Graham (The Gilmore Girls) as a talk show host who is dumped by her boyfriend and having a hard time “letting it go”. (Cynopsis 2/2)

On Friday, ABC picked up three additional drama pilots: Limelight, inspired somewhat by musician/hip-hop producer Pharrell Williams’ youth spent at a performing arts school, is about kids and faculty set at a similar performing arts school in New York. The second drama pilot is an untitled Jerry Bruckheimer 60m crime project from Warner Bros. Television about amateur crime solvers, though internally it is called “The Unknown.” (Cynopsis 2/2)

CBS consented to three drama pilots all produced by CBS Paramount Network Television: the first is titled Back about a man who disappeared during the 9/11 terrorist attacks and remarkably shows up eight years later and tries to reconnect with his family. CBS next approved the hour-long pilot Washington Field set inside the FBI’s Washington field office about a team of agents handling top-priority cases. The third project is an untitled legal drama from Frank Military (The Unit) about a group of federal prosecutors based in the U.S. Attorney’s office in Manhattan. (Cynopsis 2/2)

The Comcast Programming Group, the Comcast division that includes networks such as E!, Style, G4 and the Golf Channel, isn’t likely to acquire any new channels in 2009, according to President Jeff Shell. “Brian [Roberts, the Comcast chairman] and Steve [Burke, Comcast's chief operating officer] will tell me if they ever want to make [the group] bigger,” Shell said. “My job right now is to run with what we’ve got.” Multichannel News (2/2)

ABC Family issued 10-episode pickup orders to three new female-focused series — “Ruby and the Rockits,” “10 Things I Hate About You” and “Perfect 10.” The network also announced renewals for a third season of “Greek” and a fourth season of “Lincoln Heights,” but said it would cancel “Kyle XY.” The Hollywood Reporter (2/1)

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