Daily Marauder


THIS WEEK: COUNTDOWN TO THE SUPERBOWL & SOPA by Marauder

THIS WEEK: COUNTDOWN TO THE SUPERBOWL & SOPA

 

Barton Silverman/The New York Times


It looks like you Giants fans have something to celebrate this morning with the Giants win last night over the San Francisco 49ers. This will bring the NY Giants to face the New England Patriots in Super Bowl XLVI. Being that I’m from Rhode Island, I just might care about this one. Usually, apart from the Thanksgiving holiday, I’m content to ignore the blatant football around me, instead busying myself with perfecting my latte art skills or hiking in the Santa Monica Mountains. This time, with Facebook before me, it was a bit difficult to ignore the game and the overtime field goal which caused celebrations in the east.

Speaking of the Superbowl, last week Volkswagen promoted their Superbowl with what else, an ad. This one featured adorable pooches howling out the Star Wars theme song in an ad dubbed “The Bark Side.” The ad already has over 7MM views on YouTube which is fairly incredible if you consider that this is simply a teaser for…a Superbowl ad. For an explanation of how it was produced, click here. If you remember from last year’s Superbowl, the VW spot featured a young Darth Vader practicing his force and won big as one of the top-rated ads from the game.

In other news, last week saw the internet retaliate at the legislation on the docket dubbed SOPA or PIPA. Rather than an homage to British royalty, these two insidious pieces of legislation threaten to change the infrastructure of the internet and threaten freedom of speech globally under the auspices of copyright law. As someone who worked for an entertainment company (HBO) for 4 years, I am well aware of the value of content. I have been on multiple sets, I am friends with executive producers, I have welled up while listening to Ross Katz discuss his creative process while filming Taking Chance; I am someone who understands the cost and undertaking devoted to creating quality content. That said, the idea that control will fix the problems ailing the content industry is misguided and frankly a sign that consumers’ needs have lapped Hollywood’s delivery of content. I recently read VC Fred Wilson’s plea to Hollywood entitled ‘Scarcity is a Shitty Business Model.’ This has been shown time and time again to be undoubtedly true.

Consider Napster. When Napster was shut down in 2001 and iTunes came raging onto the scene in 2003, many argued that consumers would not buy music for $.99. However, the slick user interface and sheer online availability of music settled that debate quickly proving that consumers would in fact pay if given an easy process for transacting and lots of content.  Back to Hollywood. The window structure is simply killing the industry. The window models were created based on an infrastructure that not only no longer exists but will trend farther from its origins over the next few years.

I’ve been recently watching the British series Downton Abbey. In one episode, the wealthy Crowley family updates their lavish home with innovative light bulbs replacing their dimmer cousins, the candles. The grandmother, Dowager Countess of Grantham, expertly acted by Maggie Smith, expresses her discord that the new bulbs are burning her eyes and far too bright. Change is always uncomfortable but inevitable nonetheless. To ignore it and try to squeeze and manipulate the inevitability will always fail. In other words, SOPA/PIPA won’t do justice to their objective, protecting the content and its creators. Furthermore, by censoring the internet under the guidelines that it poses, the legislature threatens to impede innovation across the internet simply because the entertainment industry refuses to innovate.

So here’s my plea to the studios. Innovate the business models, with a considerable shift in availability to speak to consumers’ needs. Eradicate the window structure. Yes, I know the drill. So many companies are involved here that eradication is made difficult. The solution to the problem is never easy but it stands just the same. Allow viewers to watch content on any platform they wish all at the same time, but create a revenue model for each. Think long. Don’t think short. The iPod was a gateway drug for Apple to the success they thrive on today. Consider that the revenues won’t immediately signal success when considered back-to-back (I’m looking at you Jeff Zucker and your digital dimes analogy). Become a misfit and make a revolutionary change. Make some waves, shock the other studios, and consumers will follow you to the bank.

Finally, the Super Bowl gets a social media command center and former Penn State football coach Joe Paterno dies at 85 re-igniting the debate of his misconduct in ignoring the abuse of his subordinates.

Some more Cool Sh-t:
Be Your Own Souvenir: The Ultimate in Memorabilia



IS PING THE MYSPACE MUSIC SLAYER? by Marauder

Is Ping the MySpace Music Slayer?


Since Apple’s Wednesday announcement of the social network for music, Ping, the service has been called a MySpace killer. At the core of the Apple fan boy or girl, is an ethos that Apple can and will continuously do it better than the next guy. This ethos has been built on the back of the company’s ability to blow away the smartphone marketplace with one swift punch to the balls called the iPhone. As I sit with my iPhone parked next to me and my MacBook Pro at my fingertips, I certainly classify as an Apple fan girl. In Ping’s case, the assumption that Apple always draws shotgun would be a mistake. In its current configuration, Ping is not and will not be a MySpace killer. Until some major problems are fixed, it will continue to live in the shadow cast by powerhouses like Pandora and MySpace.

If the principle challenge with the MySpace platform is hyper-personalization turning the site into the bedroom of an over-eager teenage girl, the problem with Ping is the insistence on an overly simple user interface. I may not need the many bells and whistles thrown at me on MySpace daily but I do need more features than Ping is offering.

Here are a few reasons why Ping won’t crush my MySpace usage anytime soon:


1) What Do I Care About Most?

Photo Credit: Micki Krimmel


It’s the Music Stupid.


Ping seems to think the answer to this question is the sharing of music. In actuality, I care most about the music itself. I sit writing this while listening to Arcade Fire’s new album on MySpace. Currently, this band doesn’t even exist on Ping. While I sit listening to The Suburbs in full, the band gets a “No Results” on Ping. Yes, yes. I know the service is still too new to accommodate the likes of indie rock but perhaps more should have been done to draw bands into the service before it was launched to the public. Mashable posted an interesting article on the challenges bands face in entering the Ping world vs. the ease at which bands enter their MySpace communities and post at will. The Ping user needs more of their favorite bands and the bands need an easier way to access the new platform.

Above the selection of bands, what I really want on a music page is…in short, music. I want to listen to full-length songs like I can on MySpace music. I can’t even find any music to listen to on Lady GaGa’s Ping page until I click over to the iTunes store. As we all know in the online world, and for those who don’t know, shortening the click-thru stream is necessary for lazy audiences everywhere to engage with your platform. Don’t make it more difficult for me to get to what I really want: the music. And once I’m finally there, I get a 30 second nugget rather than what I really want: the full song. Let’s see a side-by-side Ping to MySpace comparison:

Ping

MySpace


2) Follow?

Sir Steve Jobs attracted me to the platform with his promise that 160MM global iTunes users would be there waiting for me. I fire up the upgrade, click on the attractive Ping logo with the chat bubbles and find Lady GaGa, Katy Perry, and Rick Rubin staring back at me. Now, I love the GaGa as much as the next girl, but what about my actual friends? Where are they?

Apple promised a Facebook Connect feature allowing me to easily search for my Facebook friends. Not so much… If you haven’t seen the most recent press, Apple played a bit aggressively with Facebook and was denied access to the API. On Kara Swisher’s blog, All Things D, she spoke to Steve Jobs moments after the Apple announcements and was told by Jobs that Facebook wanted “onerous terms that we could not agree to.” In essence, when Facebook’s API is called upon with over 100 million requests a day, Facebook requires a monetary agreement to handle the overload on their systems. Apple and Facebook could not come to an agreement on this and hence no Facebook for Ping.

Until this is resolved, I can only find my friends by entering in their email address one by one until I find someone. Suffice to say, this is the real “onerous” process and simply unmanageable by anyone who has a job. Yesterday, my friend from Berlin tracked me down so I officially have one real Ping friend. This is only one hiccup with the service but the most sizeable one. Until this one issue is resolved, Ping will have problems truly being a “social network for music” without connecting its 160MM worldwide users together.


3) What type of Music Defines You?

On the initial fire of the Ping community, you’re asked to pick a collection of music which will be used on your profile to define you to your friends. I don’t take this process lightly at all. Being someone who previously worked in the music industry, I take my collection and particular music taste very seriously. The user has the choice between a manual selection of music or an automatically pre-selected one chosen by an Apple algorithm. Being that this was an Apple interface, my expectation was that Apple would choose my taste better than I could possibly define my own. Yup, not the case.

Instead of looking at my music library, which would be the obvious choice, Ping seems to favor my purchased iTunes items, surfacing selections which may not be something I’d like to define my musical taste by. Selfish selection by Apple really. Imagine you buy Justin Bieber for your 12-year-old niece and all of a sudden it surfaces as your favorite music. Bieber fail. Manual entry is certainly a requirement.

**Please note: This would never happen on this MacBook of course. I wouldn’t allow this sort of download on my machine. Just sayin…


4) Sharing Begins & Ends in iTunes

Hey Apple, just want to let you know about these fantastic social networks known as Facebook and Twitter. You may have heard about them? Only about 500 MM users use the first one. Just thought I’d let you know, as you seem to care not for the likes of those little guys. You may have 160 MM worldwide users but before you get on that soapbox, Mark Zuckerberg and his Facebook dominion holds down 500 MM globally. When I go to “like” something in Ping, I share that like with the Ping community alone. There are currently no sharing features with Facebook, Twitter or MySpace and with that list being the three primary social networks, seems Ping is lacking a little in the “social” department. Apple seems to be acting like a possessive boyfriend with this product rather than truly building a social experience for music.


5) News Feed Overload

After seeing a recommendation from Alexandra Petsavas, my favorite music supervisor who brilliantly filled an entire episode of The O.C. with Beck B sides, I decided to download a few tracks from the Canadian band, The Acorn. Now, my entire feed is filled with my love for The Acorn even though I downloaded a few tracks off of one album. I wish there could be more control in terms of what is surfaced and what isn’t. I don’t need every song purchase listed in my feed especially around the holidays when I decide that The Time Life Christmas CD’s are a must-have.


So is Ping the MySpace Killer? If you enjoy sitting in enclosed spaces talking to yourself about your favorite music, then yes, Ping wins.

Alright, I’m off. MySpace just threw me an “Are You Still Listening?” curve ball and I need to change this song.

“We’re sorry, the number you have reached is not in service at this time. Please check the number or try your call again.” Telephone Lady GaGa

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MOBILE by Marauder
November 4, 2009, 1:06 PM
Filed under: WIRELESS | Tags: , , , , , , ,

MOBILE

More and more companies are creating iPhone applications as a way to reinforce branding and to gain new customers. Some companies are even seeing increased sales thanks to iPhone apps. One of those is the Pizza Hut app [iTunes link] for the iPhone and iPod touch, which has now generated more than $1 million in sales according to MobileMarketer. The US-only iPhone app was first introduced three months ago. (Mashable 11/3)

pizzahut-app-sm

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JELLI: ALL REQUEST RADIO by Marauder

JELLI: ALL REQUEST RADIO

Jelli

Welcome to Jelli, user-controlled radio. This past week, I had the chance to catch up with Mike Dougherty, CEO of Jelli, at Digital Hollywood to ask him some questions about the site. Incidentally, Mike is not the lead singer of the band Soul Coughing as I had excitedly thought before meeting him. Apparently, I am not the only person to make this mistake.

The Product

Here’s the jist. Log on, start listening, and start voting music up or down based on what you want to listen to you. Others will do the same. The combinations of all of that voting will determine what comes next in the playlist. If you really want to hear that Herbie Hancock track, “rocket” it to the top of the list. If you really can’t stand that Citizen Cope song, “bomb” it out of the playlist. I come from a traditional radio background, and as a DJ for 5 years, I was quite used to the programmed playlist that neither I nor the listener had any control over. The playlist was dictated by a number of rotations coordinated in advance by the radio Program Director, band manager, and artist. In essence, if you requested something, there was pretty much no chance in hell that it was getting on air. This web site flips the switch on the whole radio industry.


The Hotness

Pandora, MySpace Music, iTunes, and pretty much any other online music service you can think of are very one-to-one types of experiences. You pick the music and based on what you are selecting, in certain cases, the service recommends additional music it thinks you will like.

Jelli brings the social aspects of traditional radio back to the forefront allowing users to each play DJ selecting and voting on music as the playlist runs its course. In addition, every Sunday on Live 105 in San Francisco from 10PM – Midnight, what plays on Jelli plays on traditional radio. It should come as no surprise that this is the most highly trafficked time for Jelli.

The Lameness

I would much rather listen to music that I and a few of my friends are selecting rather than listening with the main group. I don’t really need to hear that Soundgarden song once an hour and I know my friends would never subject me to that. Also, giving new users more power seems to be a must. On my first try to the service, a track that I had rocketed to the top was quickly bombed by another user and removed from the playlist. Sad face. Dougherty claims that this may be on the horizon.

What Comes Next

Jelli will be nationally syndicated allowing any radio station to follow the Live 105 lead and empower listeners on their airwaves. In addition, 5 stations in Australia will also begin carrying Jelli as of November. Live DJs? Also on the way. Also, users will eventually be enticed with incentives for their participation in the site.

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MOBILE MOVIES ON THE GO: MSPOT by Marauder
October 20, 2009, 7:52 PM
Filed under: Feature | Tags: , , , , , , ,

MOBILE MOVIES ON THE GO: MSPOT

mspot

Just launched about a month ago now, mSpot allows consumers the opportunity to watch movies on 30 phones domestically. Interested in taking in Zach and Miri Make a Porno? Now, you can introduce your fellow train mates to comedy nudity as well. Incidentally speaking, this was the movie playing when mSpot was demoed to me. Currently, over 350 movies are available on the service and a few TV shows as well.

The business model:

I had the opportunity to sit down with Darren Tsui , CEO of mSpot, today at Digital Hollywood LA. The service in available both in a rental and monthly subscription model ($4.99/movie and $9.99/month for 4 movies). When asked why the service wasn’t available in an unlimited monthly Netflix type of model, Tsui responded that this model wasn’t compatible with the way studios make money on their content.

I questioned viewers’ desire to watch full length movies on a cell phone. Tsui responded that this was more of a challenge two years ago but not at this point. Of the audience using the service, consumers tend to rent rather than subscribing via the monthly model.

The competion:

The other players in this space include iTunes, and possibly if rumors are true and you know they are, the Hulu, YouTube, and Netflix apps to come. mSpot attempts to differentiate itself from iTunes with a streaming content model. “People don’t plan when they want to watch something,” Tsui tells me. In essence, iTunes requires some forethought to download the content in advance whereas mSpot is available on the go. That said, clearly iTunes has its advantages in its ability to allow viewers to watch on planes, subways, and anywhere else where cell service isn’t available…like the panel rooms at Digital Hollywood.

To come:

Currently the service is only available as a mobile website but applications are sure to come.

Marauder Weigh-In:

I continue to wonder how many people will truly watch full length movies on any type of mobile service…only because I would never do such a thing if offered the option between my laptop and my phone. That said, I’m not a parent and I clearly see the advantages that this platform offers the parental units.

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ONLINE SERVICES/INTERACTIVE MEDIA by Marauder

ONLINE SERVICES/INTERACTIVE MEDIA

Twitter co-founder Biz Stone says that the company is hiring a manager to develop accounts for businesses that will have more features but cost a fee to use. Stone did not disclose a launch date. Twitter is growing rapidly, but is yet to specify how it will make money. (Iwantmedia 3/26, http://www.bizjournals.com/sanfrancisco/stories/2009/03/23/daily52.html 3/23)

twitter3


The rise of “feisty online alternatives” is helping speed up the decline of celebrity magazines, says a report by media bankers DeSilva + Phillips. Even powerhouse People magazine is vulnerable. Web sites like Perez Hilton “should be acquisition targets.” (Iwantmedia 3/26, http://www.foliomag.com/2009/outlook-celebrity-magazines-may-never-recover-recession 3/25)

celeb-mag

The new iTunes pricing scheme is set for an April 7 launch, says the Los Angeles Times. They do good work over there. Apple hasn’t revealed this date publicly, but April 7 is supposedly what Cupertino is telling record labels. Remember: prices now top out at $1.29 for popular songs. (http://www.crunchgear.com/2009/03/26/popular-songs-on-itunes-go-to-129-on-april-7 3/26)

new-itunes

AT&T and Comcast are announcing their initiatives to work with the music industry to combat online piracy. The Internet service providers are sending letters to identified customers informing them that infringement has taken place on their account — but with no action outlined. (Iwantmedia 3/26, http://www.billboard.biz/bbbiz/content_display/industry/e3ic48b7a3a3eb3111d72b05ffcdd8d793b 3/25)

ZeeVee has updated its Zinc online video browser, which includes an on-demand library as well as content from Netflix and CBS. The browser’s new Beta 3 iteration organizes Internet-based content with a user-friendly interface that can be accessed via TV or other video screen. ElectronicHouse.com (3/24)

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WIRELESS by Marauder
March 13, 2009, 7:10 AM
Filed under: WIRELESS | Tags: , , , , , , ,

WIRELESS

This year, iPhone and iPod Touch users can watch all 63 games of the NCAA hoops tourney live from their devices via a new app from MobiTV and CBSSports.com. The app costs $4.99 and will include real-time in game box scores and player stats presented as an overlay on top of the video – a very thoughtful feature. The one catch is that the app requires a Wi-Fi connection to stream video, but this makes sense – live video over AT&T’s 3G network is not pretty. Of course the games are also available on CBS’ MMOD site as well as for purchase on iTunes for $1.99 a pop the day after they’re played. (Cynopsis 3/13)

cbs-sports

Shipments of mobile Internet devices will grow eightfold between 2007 and 2012 to more than 416 million, iSuppli predicted in a new report. “People like MID functionality because it opens up services, applications, business models and cross-industry relationships that were never possible before,” said Senior Analyst Francis Sideco. Home Media Magazine (3/12) , EE Times (3/12)

Developers of Google’s Android software will offer updates to T-Mobile’s G1 handset for the first time since its October launch, adding such features as an on-screen virtual QWERTY keyboard, video recording and playback as well as stereo Bluetooth support, according to reports. The upgrade, dubbed “Cupcake,” is also expected to fix some flaws in the open-source operating system as well as update its underlying Linux kernel. CNET (3/12) , CRN/ChannelWeb (3/12)

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